Tag Archives: Technology

Planning Naked | April 2017

Planning Naked | April 2017
Special Issue on Transportation
by Dr. Mark David Major, AICP, CNU-A

The previous issue of Planning Magazine (March 2017) gave me an excruciating, migraine headache and I definitely lost my temper while writing Planning Naked. I watched about one year’s worth of slow but steady progress in the editorial/word choices of the American Planning Association go out the window in a hysterical, reactionary response to the election of President Donald Trump; assuming these Planning Magazine articles are queued out a couple of months in advance. The fault is not Trump’s but the ‘establishment’ using any excuse (however, flimsy) to assert the dominant planning paradigm of the status quo for the last 70 years, which can be simply summarized as ‘Cars, Money, and Bureaucracy.’ I don’t have much hope for this April 2017 Special Issue on Transportation doing much to alleviate my professional concerns since the special issue on this very topic two years ago was an unmitigated disaster; especially the cover of vehicular road signs, which still irritates me. Let us see what this issue has in store for us…

A car is still a car. On the cover is the “front of a Waymo driverless car at a Google event last December in San Francisco (see pp. 5). So yeah, ‘transportation is cars’ is once again the front and center visual for APA’s Planning Magazine special issue on transportation. I can hear their objections to this observation, “But, but, but, but we have articles about bike-sharing and mention pedestrians and walking and rail and nature.” Yes, you do but the graphics and digging into the substance of the content only illustrates how APA ‘talks the talk’, ‘drives the drive’, and even ‘drives the talk’ but refuses to ever ‘walk the talk’ when the rubber meets the road. OK, there are a LOT of mixed metaphors about lip service in there but you know what I mean.

Ditch the word transportation. Maybe Planning Magazine could start with something simple like changing the title of this annual issue to “Special Issue on Mobility” or “…on Movement”? Just a thought…

Oh, chase the shiny object. “The Road Less Traveled” by James M. Drinan, JD (From the Desk of APA’s Executive Officer, pp. 7) sets the tone for APA as a professional organization chasing the ‘next shiny object’ that just so happens to pass across its field of vision. The advertisement photographs of planners playing in the exhibit’s area of national planning conference (prior on pp. 2-3) only reinforces the idea: Computers! Pinball machines! Free promotional pamphlets! Up, close, and personal with a drone! Virtual reality! Projector graphics and ice cream scoops?!? (Not sure about that last one) In any case, for this issue, it means new “disruptive transportation technologies” and “calls for infrastructure investment” (translation: there is “bipartisan support” to give us money), which can be linked to “economic development principles (jobs!).” Ahem, how about better understanding the road most travel by most people first? All of the evidence suggests APA is still clueless about that.

Cars, money, and bureaucracy. All-inclusive including the inside/outside of the front and back covers, this issue is 56 pages long. About 65% is really about cars, money, and protecting/promoting the bureaucracy/regulatory regime of planners. The issue pays lip service to other issues but…

Good News! You can be an Outlaw, too. The “New Hampshire Greenlights Granny Flats Statewide” article by Madeline Bodin (News Section, pp. 13) is great news! However, it is extremely disturbing that “the New Hampshire planning community was mixed on [the law].” Of course, the planners and municipalities initially opposing the law introduced a condition requiring that granny flats be ‘owner-occupied’, which is an insidious attempt to limit affordable, rental housing for lower income and young people. The Outlaw Urbanist would like to encourage all New Hampshire homeowners to violate this law immediately and continually since the ‘owner-occupied’ provision is essentially unenforceable. We are all outlaws now! “Lord I never drew first, But I drew first blood, I’m no one’s son, Call me young gun…”

So that happened… The “Zoning and ADA Compliance” article by Robin Paul Malloy (Legal Lessons on pp. 14) is an inoffensive reminder for people who might fall short in common sense, basic decency, and good manners.

I’ll pass, thanks. “Here Come the Robot Cars” by Tim Chapin, Lindsay Stevens, and Jeremy Crute (pp. 15-21). Full disclosure: I have known Lindsay Stevens since 2003. She is a friend. I have also met Tim Chapin, who invited me to guest lecture at Florida State University in Fall 2008. I don’t know Jeremy Crute. Out of respect for Lindsay, I am not going to comment on this article about autonomous vehicles (i.e. driverless vehicles) based on a study conducted on behalf of the Florida Department of Transportation.

I love the smell of sarcasm in the morning. Q&A section about “Disruption: Bike-Share” (pp. 24-25) in which Planning Magazine’s Editor-in-Chief, Meghan Stromberg interviews Jon Terbush of Zagster, a venture-funded startup company based in Cambridge, Massachusetts that designs, builds, and operates bike-sharing programs. I absolutely LOVE Terbush’s response to Stromberg’s question, “What are the minimum requirements for bike share?” Terbush responds, “Well, I’d still say the vision is the most important thing.” You can feel Terbush’s sarcasm dripping off the page after receiving such a backward ‘trapped-in-the-box’ type of question. Well done, Mr. Terbush. You smacked down APA and Planning Magazine even if they seemed blissfully unaware of it.

You can do those things that are ‘generic’ to all cities. The Q&A section “Disruption: Ride Share” (pp. 26-27) is a straightforward discussion about profiteering on the share services associated with the automobile… as if ‘unlicensed taxi services’ haven’t been around for decades (such as in London). That is essentially what companies such as Uber and Lyft are, i.e. they are circumventing government regulations (nay, restrictions) on labor in the same way zoning out granny flats restricts affordable housing and owners’ ability to profit on their property without the blessings of government. In any case, Andrew Salzberg’s closing comment is great advice, namely to “focus on things that are eternally true.” Well said, sir.

Oh, parking, you’re so fine, parking’s so fine, it blows my mind! Oh, parking! Ahem, four pages about parking with all sorts of buzzwords designed to promulgate the status quo. “Parking is an asset for cities,” “It plays a vital role (in making money, I translated the ‘code’ for you here but the “Driven by Technology” insert makes it clear),” it is “an important planning resource,” and so on and so forth. I was especially amazed to read how parking is “helping to reduce roadway congestion.” Along the way, the editors implicitly promote the decades-long myth of every Main Street shop owner, namely ‘Main Street would survive if we only had more parking.’ Planning Magazine does not say that, of course, but instead tells us people “will avoid public parking” if you charge too much for it. They do not mean people might walk or use a bike. The little 1” x 3.5” insert for The High Cost of Free Parking by Donald Shoup within the context of this article is quaint. See: equal time (<sarcasm).

Insidiously lies the crown. At first glance, “Connecting the Dots” by Greg Griffin (pp. 32-39) seems like it is promoting the bike share concept. However, by tying bike sharing to inequity issues it is actually undercutting it. This is ironic considering the equity and standard of living impacts of not owning a car are much, much worse and pervasive in American society. This article is insidious because the key underlying issue is American settlements have been building large rectangular blocks, expanded road widths, and consuming land for centuries, which the automobile has only accentuated over the last century or so. It is the spread-out physical nature of the American settlement itself, which generates many of these inequity issues. However, by ignoring the real issue (planning and land consumption), Planning Magazine can use the inequity issue to undercut the bike share concept. Not overtly, you understand, but by throwing up ‘cautionary’ impediments along the way in the regulatory regime.

See: APA mentioned rail. Planning Magazine pauses in “Rail Relationship” by Raymond Besho (pp. 40-42) to remind us that freight rail traffic is worth a lot of money, too. They then prescribe solutions to promote rail freight at the expense of livability for human beings in settlements; all in the name of “safety.” Trains killed 265 people in 2016 (Source: Federal Railroad Administration). Wow, it is an epidemic! Automobiles kill more than 30,000 people each year. Perspective, people.

In closing. I want to close out this version of Planning Naked by repeating the opening line of the “Cultivating Stronger Connections with the Natural World” article by Timothy Beatley (pp. 49-50):

“Too often nature seems abstract and far away, difficult to know and touch in any visceral way.”

I would like you to think about that statement. I mean, I want you to think really hard about the opening line of this article in a national magazine of a national organization dedicated to the ‘art and science of designing cities.’ I hope you do not laugh too hard when you realize the statement is patently absurd.

At least, this time I kept my temper and I did not get a headache. This represents progress of a certain kind, I suppose.

Planning Naked is an article with observations and comments about a recent issue of Planning: The Magazine of the American Planning Association.

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NOW AVAILABLE | Architecture and Film Course Series (6.0 hour)

The Architecture and Film Course Series reviews the seductive correspondence between cinema and architecture. Of all the fine arts, cinema and architecture seem to uniquely correspond due to their natures as both an art and a science. In no small part, this is because both deploy many of the same concepts in a superficial and/or substantive way, i.e. representation, presentation, functionality, and materiality. Over the last four decades, startling technological advances, mostly deriving from computer science, have further blurred the distinction between cinema and architecture. Collectively, this tends to obscure the most important aspect, which is architecture’s impact on the dual aims of cinema, e.g. narrative and technology. Part I, “Do Architects Dream of Celluloid Buildings” reviews the conceptual, historical and technological correspondence between cinema and architecture. Part II, “The Architectural Competence in Cinema” and Part III, “The Best of Both Worlds”, review the cinematic use of architectural precedents and typologies in crafting distinctive film-grammars in support of narrative and characterization. The “Architecture and Film” course series more closely examines the frequent role of the built environment in creatively reinforcing or subverting expectations of the audience about cinematic narratives (6.0 course). Click here to purchase this full course series ($39.99).

Key concepts:  abnormal scale, analogy, architectural typologies, cinema, cultural appropriation, extended narratives, fantasy, historical juxtaposition, historical intensification, historical precedent, hyperreality, language, narrative, representation, scale, science fiction, and technology.

Includes a three(3) two-hour video presentations and PDFs of the supplementary materials and slide handouts for each course.

Part 1 Film and Television Topics
The Wizard of Oz, A Trip to the Moon, Game of Thrones, Star Wars, The Hunger Games, Friends, New Girl, Planet of the Apes, Alice in Wonderland, Star Trek, To Kill a Mockingbird, Back to the Future, Westworld, When Dinosaurs Ruled the Earth, Jurassic Park, The Wedding Singer, The Terminator, Babylon 5, Captain America, Avatar, Battlestar Galactica, It’s a Wonderful Life, Zelig, Forrest Gump, Jupiter Rising, Toy Story, Tron, Resident Evil, Total Recall, The Matrix, A Scanner Darkly, Contagion, American Psycho, Metropolis, Blade Runner

Part 2 Film and Television Topics
Alien, War of the Worlds, V for Vendetta, Blade Runner, Jaws, Watchmen, Batman, The Rape of Doctor Willis, Superman, The Lady in the Water, Close Encounters of the Third Kind, Star Wars, The Godfather, Game of Thrones, The Lord of the Rings, Baywatch, The Shawshank Redemption, Thor, From Hell, The Lodger, James Bond, Chinatown, Logan’s Run, Four Weddings and a Funeral, Stargate, Battlestar Galactica, Cube, 1984, Divergent, The Truman Show, Pleasantville, Metropolis, V, Independence Day, Invasion of the Body Snatchers

Part 3 Film and Television Topics
Star Trek, Harry Potter, Blade Runner, The Lord of the Rings, Citizen Kane, Batman, Doctor Who, Inception, A Nightmare on Elm Street, Spellbound, Doctor Strange, 2001: A Space Odyssey, Interstellar, Star Wars, Logan’s Run, Alien, Dune, Battlestar Galactica, Zoolander, The Martian Chronicles, Invasion of the Body Snatchers, District 9

Please note there may be a delay for a couple of hours before you are able to access the course because we have to confirm receipt of payment for each order before completing the purchase.

About the Instructor

mark_v3Dr. Mark David Major, AICP, CNU-A is an architect and planner with extensive experience in urban planning and design, business management and real estate development, and academia. He is a Professor of Urban Design at the Savannah College of Art and Design. Mark has been a visiting lecturer at the University of Florida, Georgia Tech, Architectural Association in London, the University of São Paulo in Brazil, and Politecnico di Milano in Italy.

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NOW AVAILABLE | The Best of Both Worlds | Architecture & Film, Part 3

Part III of the Architecture and Film course series, “The Best of Both Worlds”, reviews the seductive correspondence between cinema and architecture. Over the last four decades, the film-architecture analogy and startling technological advances, mostly deriving from computer science, have blurred the distinction between cinema and architecture. Collectively, this tends to obscure the most important aspect, which is architecture’s impact on the dual aims of cinema, e.g. narrative and technology. Part III reviews the cinematic use of architectural precedents and typologies in crafting distinctive film-grammars in support of narrative and characterization for extended narratives. The “Architecture and Film” course series more closely examines the frequent role of the built environment in creatively reinforcing or subverting expectations of the audience about cinematic narratives (2.0 hour course). Click here to purchase this course ($14.99)

Key concepts:  extended narratives, science fiction, fantasy, abnormal scale, cultural appropriation, and historical juxtaposition.

Includes a two-hour video presentation and PDFs of the course supplementary material and slide handout.

Part 3 Film and Television Topics
Star Trek, Harry Potter, Blade Runner, The Lord of the Rings, Citizen Kane, Batman, Doctor Who, Inception, A Nightmare on Elm Street, Spellbound, Doctor Strange, 2001: A Space Odyssey, Interstellar, Star Wars, Logan’s Run, Alien, Dune, Battlestar Galactica, Zoolander, The Martian Chronicles, Invasion of the Body Snatchers, District 9

Please note there may be a delay for a couple of hours before you are able to access the course because we have to confirm receipt of payment for each order before completing the purchase.

About the Instructor

mark_v3Dr. Mark David Major, AICP, CNU-A is an architect and planner with extensive experience in urban planning and design, business management and real estate development, and academia. He is a Professor of Urban Design at the Savannah College of Art and Design. Mark has been a visiting lecturer at the University of Florida, Georgia Tech, Architectural Association in London, the University of São Paulo in Brazil, and Politecnico di Milano in Italy.

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Support The Outlaw Urbanist Today!

Now Accepting Contributions from Fellow Resistance Fighters
by Dr. Mark David Major, AICP, CNU-A, The Outlaw Urbanist Founder

We founded The Outlaw Urbanist almost five years ago. During that time, we have produced more than 220 posts of freely-available content on the blog about architecture and urbanism across a vast range of issues as well as nearly 4,000 tweets on the @OutlawUrbanist Twitter feed.

We have also produced two volumes of the Poor Richard almanac series for architects and planners (available for purchase by clicking on the links to your right) with three more books (American cities, Poor Richard Volume 3, and Collected Essays) on the way. We have also produced more than 20 hours of professional development, continuing education and training classes, either exclusively on The Outlaw Urbanist Courses website or in partnership with Planetizen Courses.

In that time, we have found many valuable allies such as Andy Boenau of Urbanism Speakeasy, the people at Planetizen, and many members of the CNU and Space Syntax communities even as powerful entities with a vested interest (often purposefully obscured) in perpetuating the status quo continue to work against our message. Most definitely, we sometimes feel grind down by this fight; much like Patrick McGoohan’s Number Six in The Prisoner above. However, we often receive encouraging messages from users such as this Canadian academic researcher only last week:

“I am writing you a brief note to say how inspired I am by your blog and manifesto I agree wholeheartedly… I had this great feeling again today when I found your work.”

Such messages are ‘manna from heaven’ for us. However, believe it or not, The Outlaw Urbanist content has been produced on a shoestring budget over the last five years. A reasonable estimate is we spend about $500 per annual in out-of-pocket costs to offer the (mostly) free content on The Outlaw Urbanist. The rest is brain power, elbow grease, and lots, lots, lots and LOTS of time.

We have reached the point where we need to ask for your help. There are a lot of upgrades we would like to implement on The Outlaw Urbanist but for a lack of funds: upgrade our hosting service package to speed up loading of the website, offer a monthly newsletter through the facilities of Paper.il to share more content, jointly produce continuing education courses and podcasts with Urbanism Speakeasy, securing pre-approved credits for courses with various professional organizations (for which we will be charged) and, eventually, switching over to an annual subscription-based platform for The Outlaw Urbanist Courses instead of the current ‘per class’ cost structure.

We have introduced a “Donate with PayPal” button to our content sidebar (at the upper right-hand corner) to enable our users to financially support The Outlaw Urbanist. PayPal allows you to make donations using your debit or credit card.

We are asking for donations to support our continuing efforts. We appreciate receiving any donations, no matter how small or large, for that purpose. We are creating a special category called The Founders Circle for anyone who makes a donation of $1,000 or more on an annual basis, which includes prominent display of your business, personal, or organizational logo with a link to your website.

Please support The Outlaw Urbanist today with your donation!

NOTE: We would be remiss if we did not mention everyone involved with the open resource platforms of WordPress, LearnPress, and many other associated plugins, which indirectly support the efforts of The Outlaw Urbanist. Thank you!

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NOW AVAILABLE | The Architectural Competence in Cinema | Architecture & Film, Part 2

Part 2 of the Architecture and Film course series, “The Architectural Competence in Cinema” (2.0 hour) reviews the seductive correspondence between cinema and architecture. Over the last four decades, the film-architecture analogy and startling technological advances, mostly deriving from computer science, have blurred the distinction between cinema and architecture. Collectively, this tends to obscure the most important aspect, which is architecture’s impact on the dual aims of cinema, e.g. narrative and technology. Part II reviews the cinematic use of architectural precedents and typologies in crafting distinctive film-grammars in support of narrative and characterization. The “Architecture and Film” course series more closely examines the frequent role of the built environment in creatively reinforcing or subverting expectations of the audience about cinematic narratives. Click here to purchase this course ($14.99).

Key concepts:  narrative, scale, historical precedent, architectural typologies, and hyperreality.

Includes a two-hour video presentation and PDFs of the course supplementary material and slide handout.

Part 2 Film and Television Topics
Alien, War of the Worlds, V for Vendetta, Blade Runner, Jaws, Watchmen, Batman, The Rape of Doctor Willis, Superman, The Lady in the Water, Close Encounters of the Third Kind, Star Wars, The Godfather, Game of Thrones, The Lord of the Rings, Baywatch, The Shawshank Redemption, Thor, From Hell, The Lodger, James Bond, Chinatown, Logan’s Run, Four Weddings and a Funeral, Stargate, Battlestar Galactica, Cube, 1984, Divergent, The Truman Show, Pleasantville, Metropolis, V, Independence Day, Invasion of the Body Snatchers

Please note there may be a delay for a couple of hours before you are able to access the course because we have to confirm receipt of payment for each order before completing the purchase.

About the Instructor

mark_v3Dr. Mark David Major, AICP, CNU-A is an architect and planner with extensive experience in urban planning and design, business management and real estate development, and academia. He is a Professor of Urban Design at the Savannah College of Art and Design. Mark has been a visiting lecturer at the University of Florida, Georgia Tech, Architectural Association in London, the University of São Paulo in Brazil, and Politecnico di Milano in Italy.

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