Tag Archives: The City

PREVIEW | Foreword by Julia Starr Sanford | Poor Richard Volume 1

As architects, designers, and planners, we sometimes take ideas, problems, and situations and make them more complicated than they really are or, as Poor Richard says, “compress the most words into the smallest idea.” But when it comes to the architecture of our cities, sometimes the simplest solution really is the most elegant and, perhaps even more importantly, the idea behind that solution is best stated simply so. Poor Richard, An Almanac for Architects and Planners excels at what is not typical for our profession, namely using the fewest words to express the biggest ideas, in a decidedly witty manner.

The breadth of inspiration Major draws upon for Poor Richard’s sayings and witticisms is inspiring: Benjamin Franklin, Thomas Jefferson, Oscar Wilde, and Bill Hillier; the last of whom had a huge influence on Major’s career and outlook. This barely scratches the surface as the fingerprints of Le Corbusier, Andres Duany, Alvar Aalto, Steve Mouzon, Mies van der Rohe and Robert Venturi are also evident in many of the sayings in this book. However, it is Mark’s own genius, extraordinary wit, passion for good design and mastery of the history of planning that shape the pages of this hilariously righteous epitome of 21st century sense and sensibility.

Many of the ideas are common sense, more still are deeply profound, others require much thought on our part. Throughout the Almanac, Major uses humor to otherwise soften what are some hard truths for our profession. The ideas often question ‘conventional wisdom’ about the architecture of our cities. Ultimately, Major’s goal is a simple one, to compel us, as professionals, to examine more heartily our acceptance of current laws and practices as they have profound implications for the civil aspect of civilization and its lasting impression on the future.

Poor Richard, An Almanac for Architects and Planners is a useful and handy tool for any architect, designer, or planner to have on their desk and reference every day of the year for precisely this reason, ably assisted by the chiaroscuro of illustrations presented in a stark yet elegant manner. The message of Poor Richard, AN Almanac for Architects and Planners is clear: begin to think differently… and more carefully than ever, about our role as stewards of civility.

By Julia Starr Sanford
April 6, 2013
Amelia Island, Florida

Julia Starr Sanford is founding principal of Starr Sanford Design, a residential design and development firm based in Amelia Island, Jacksonville, and Rosemary Beach, FL. She is Founding Director of the Sky Institute + Foundation for the Future, a non-profit organization dedicated to building sustainable communities in the US, Australia, Bahamas, and Central America. She is a founding partner in StudioSky with Steve Mouzon and Eric Moser and member of the Congress for New Urbanism. She is a graduate of the University of North Carolina and Georgia Tech.

Poor Richard, An Almanac for Architects and Planners by Mark David Major, featuring Foreword by Julia Starr Sanford is available from CreateSpace (click here) and Amazon (click here) for $9.99, 136 pages, 52 black and white illustrations.

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Terre Potentiel | The City in Art

Paul Klee’s Highways and Byways (1929), 67 x 83 cm or 26.4” x 32.7”, oil on canvas, Christoph and Andr Collection displayed in Museum Ludwig, Cologne, Germany.

Terre Potentiel | The City in Art
by Dr. Mark David Major, AICP, CNU-A

According to the one interpretation of Paul Klee’s Highways and Byways, plots of lands are used as ‘building blocks’ to offer an aerial view of the landscape in order to create the illusion of perspective and relief. “Complexity emerges geometrically by successive doublings from a central ‘highway’ to create ‘byways’ (i.e. small, more dense or compact plots of land), only to be lost again by inversely halving their number.” The largest plots forming the central ‘highway’ approach a water body (probably the River Nile since this period of Klee’s paintings came after a trip to Egypt). However, the title of Klee’s painting indicates a different interpretation than agricultural plots for the colored strata (Source: The Peacock’s Tail: Essays on Mathematics and Culture). It does seem to hint at more than an abstract painting of an agricultural landscape. Perhaps skewed by an American perspective towards the land, it might suggest terre potentiel (the potential of the land). Humans have already intervened in the landscape for agricultural uses and the river already serves as a transportation hub, both associated with the support mechanisms for urban living. “In this pattern of fields, all is order, timeless structure, with a poetic element added… in twentieth-century creative language” (Source: PaulKlee.net). It is in this ‘timeless structure of order’ that can be found the design traces of a future urban pattern, a future city that has yet to emerge from the land but the potential for its emergence is already etched in the landscape. I love this painting, not so much for what it represents in the ‘here and now’ (though it is beautiful only on these terms) but what it represents about the possible, the “undiscovered country,” …the future, where all travelers must venture but none may journey before it is time.

About Paul Klee
Paul Klee (1879–1940) was born near Bern, Switzerland. He studied drawing and painting in Munich for three years beginning in 1898. By 1911, he was involved with the German Expressionist group Der Blaue Reiter (The Blue Rider), founded by Wassily Kandinsky and Franz Marc. In 1914, Klee visited Tunisia. The experience was the turning point. The limpid light of North Africa awakened his sense of color. Klee gradually detached color from physical description and used it independently, giving him the final push toward abstraction. In 1920, Walter Gropius invited Klee to join the faculty of the Bauhaus. Nearly half of Klee’s work was produced during the ten years he taught at the Bauhaus. From 1931-1933, Klee taught at the Academy of Fine Arts in Düsseldorf. When the National Socialists declared his art “degenerate”, he returned to his native Bern. Klee suffered from a wasting disease, scleroderma, towards the end of his life, enduring the pain until his death in Muralto, Locarno, Switzerland, on June 29, 1940 (Source: Metropolitan Museum of Art/Wikipedia).

Visit the Artsy.net Paul Klee page here.

Read a later article about another Paul Klee painting featured in The City in Art series here.

The City in Art is a series by The Outlaw Urbanist. The purpose is to present and discuss artistic depictions of the city that can help us, as professionals, learn to better see the city in ways that are invisible to others. Before the 20th century, most artistic representations of the city broadly fell into, more or less, three categories: literalism, pastoral romanticism, and impressionism, or some variation thereof. Generally, these artistic representations of the city lack a certain amount of substantive interest for the modern world. The City in Art series places particular emphasis on art and photography from the dawn of the 20th century to the present day.

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What do the ‘wet dreams’ of engineers and concrete-mixers look like?

The Outlaw Urbanist was able to gain access to this exclusive image, which accurately represents the dreaming state of members in the American Society of Civil Engineers (ASCE) and the American Concrete Institute (ACI). The image was compiled using the latest double-secret beta version of new Dreamscape Image Capture Technology (DIC-TEC 1.2) (you may assume from Apple). The subject matter of the dreamscape is fascinating. However, even more so was the remarkable degree of consistency found during the dreaming state for more than four dozen engineers and concrete-mixers, from which this composite image was created. Of course, being engineers and concrete-mixers they universally dream in black and white. Because of this, certain aspects of the composite image have been colorized using the ‘vibrancy’ function available in the DIC-TEC software.

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MORESO | What Would Jesus Do | The Sermon on the Street

Blessings on the poorly connected street,
For they shall find a grid to call home.
Blessings on the street that suffers isolation,
For they shall find comfort in a family of streets.
Blessings on the meek street,
For they shall inherit the city’s fortunes.
Blessings on streets that hunger and thirst for righteous design,
For they shall be filled with people.
Blessings on the safe streets,
For they shall provide mercy to pedestrians.
Blessings on the richly connected streets,
For they shall become a city.
Blessings on the placemakers,
For they shall be called the children of the city.
Blessings on those who are persecuted because of righteous design,
For they shall one day live in a great city.
Blessings on you when people insult you, persecute you, and falsely say all kinds of evil against the city.
Rejoice and be glad because great are your rewards in the city, for in the same way they persecuted the prophets who were before you.
You are the salt of the Earth but if the salt loses its saltiness, how can it be made salty again? It is no longer good for anything, except to be thrown out and trampled over by the automobile.
You are the light of the city. A city built on a hill cannot be hidden. Neither do people light a lantern and hide it. Instead they put it on a post in the street, and it gives light to all pedestrians on that street. In the same way, let your city lights shine before others, that they may see your good streets and glorify the greatness of your city.

Moreso is a series of short ruminations or thoughts of the moment, usually of less than 500 words, from The Outlaw Urbanist.

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20 Must-Read Texts for Urban Planners (#11-20)

20 Must-Read Texts for Urban Planners (#11-20)
by Dr. Mark David Major, AICP, CNU-A, The Outlaw Urbanist Contributor

Lists are often a handy tool to spark a discussion, debate, or even an argument. The purpose of this list is pretty straightforward, i.e. what should you have read. Of course, in limiting the list to a mere 20 texts (books and articles), there is no possible way it can be exhaustive. There are a lot of interesting texts out there from a lot of different perspectives (some better than others). It is also true that compiling such a list will inevitably reveal the particular biases of the person preparing the compilation (like revealing your iTunes playlist). In the end, it is only their opinion. There’s no way around it. This list demonstrates a clear bias towards texts about the relationship between the physical fabric of cities and their spatio-functional nature with a particular emphasis on first-hand observation of how things really work. Because of this, perhaps the most surprising thing about this list is how few texts there are by people who identify themselves as planners (or perhaps not, depending on your perspective). Finally, as with most lists, it is wise to reserve the right to amend/update said list in order to allow for any unfortunate oversights. Having said that, the list is an absolute good. The list is life. All around its margins lies suburban sprawl. Let the making of lists begin…

20. Learning from Las Vegas: The Forgotten Symbolism of Architectural Form (1972) by Robert Venturi, Steven Izenour and Denise Scott Brown

Venturi et al expand the arguments first outlined in Complexity and Contradiction in Architecture in 1966 to the urban level with their seminal study of Las Vegas. Only on these terms, it is an interesting read. However, dig a little deeper beneath the surface and into their wonderful series of figure-ground representations of spatial functioning on, along and adjacent to the Las Vegas Strip. You will discover Venturi et al concede – almost casually – the functional dynamics of how the strip operates to the realm of urban space and pattern in order to quickly focus on their arguments on what really interests them, i.e. the semantic nature of architectural form. A surface reading of only what Venturi et al writes misses a lot of the richness found within since there is a whole other book hidden based on what they are not saying but merely showing you.

19. The Concept of Dwelling: on the way to figurative architecture (1985) by Christian Norberg-Schulz

One always has to be careful with phenomenology because, by definition, almost everything written is subjective and open to vast differences in interpretation. However, much like the previous entry on this list, if a reader is willing to dig beneath of the surface and give thoughtful consideration about what, at first, appears to be purposefully opaque writing, then often there are rich rewards to be discovered. Norberg-Schulz’s The Concept of Dwelling is one of the best examples.

18. Ladders, Architecture at Rice 34 (1996) by Albert Pope

It is something of a mystery why this book seems to be sorely under-appreciated and underrated outside of Houston, Texas. Pope’s study about the physical pattern of the American urban fabric is a fascinating read. Urban planners – especially American ones – could do a lot worse than read an entire book examining the physical pattern of the urban fabric in cities they are suppose to be planning; in fact, they have and do so regularly.

17. Dreaming the Rational City: The Myth of American City Planning (1983) by M. Christine Boyer

Boyer’s The City of Collective Memory seems to overshadow her earlier book, which is a shame. Her history of the planning profession in the United States is a devastating and powerful critique that is as relevant today as when it was first published. It is also a much better book than The City of Collective Memory.

16. America (1988) by Jean Baudrillard

The best planners are good sociologists and the best sociologists are great observers. Baudrillard was one of the best and keenest observers of human society and its meaning. Baudrillard wraps his observations within a flamboyant, often elegant, and occasionally beautiful use of language. It is not always clear whether the flurries of linguistic gymnastics are really his or is the result of translating from French into English. However, the results often amount to genius. In America, Baudrillard’s compare and contrast of Paris, New York, and Los Angeles yields rich rewards to any planner who dares to pay attention.

15. Streets and Patterns (2005) by Stephen Marshall

The first half of Marshall’s book is a brilliant review and analysis of where we are and how we got here. The second half – focusing on possible solutions – descends into being only interesting.

14. City: Rediscovering the Center (1989) by William H. Whyte

Whyte’s study of informal, social interaction in public spaces is a case study in urban observation that any planner should seek to take into account and emulate. Yes, sometimes Whyte’s conclusions are too localized about the attributes of the space itself than how it fits into the pattern of a larger urban context. However, at other times, his findings are remarkable for their common sense. For example, people in public spaces will move chairs for the purpose of promoting interaction rather than locate their interactions where chairs are located or tend to locate social interaction in areas of high movement like street corners. Anyone who has ever tried to move their way through to party – mumbling to themselves “why do people have to stop here to talk” – will understand many of Whyte’s observations about human nature and informal interaction are rock solid. Whyte’s City can almost be read as a companion piece to Jane Jacobs’ The Death and Life of Great American Cities.

13. “The Architecture of Community: Some New Proposals on the Social Consequences of Architectural and Planning Decisions” (1987) by Julienne Hanson and Bill Hillier, Architecture and Comportement, Architecture and Behaviour, 3(3): 251-273.

Download the article here: http://discovery.ucl.ac.uk/5265/1/5265.pdf

There are many texts by a lot of people about why space syntax is important. However, few have driven home the point more powerfully and succinctly than this early article by Hanson and Hillier about the social consequences of design decisions for Modern housing estates (projects) in the UK. In doing so, Hanson and Hillier add considerable intellectual and quantitative heft to Jane Jacobs’ arguments about urban safety and “eyes on the street” in The Death and Life of Great American Cities. This article will probably be obscure to most planners, especially in the USA. The real crime is it’s rarely read outside of the space syntax community itself.

12. Suburban Nation: The Rise of Sprawl and the Decline of the American Dream (2000) by Andres Duany, Elizabeth Plater-Zyberk and Jeff Speck

A purist will probably argue when it comes to New Urbanism, start with The New Urbanism by Peter Katz. If you’re not really keen on appetizers, then go straight to the main meal. Suburban Nation is not only about what is the New Urbanism but also delves into the argument about why we need the New Urbanism today. New Urbanism does not always get it right. Does anybody? However, there shouldn’t be any doubt that it is heading in the right direction and that is a huge achievement in itself.

11. “Transect Planning” (2002) by Andres Duany and Emily E. Talen. APA Journal, 68(3): 245-266.

Duany and Talen elegantly translate a fundamental aspect about the spatio-functioning of streets tailored to urban form into understandable terms for public officials, urban designers and planners who are still trapped in – or refuse to leave – the box of the Euclidean zoning model and the arbitrary roadway classifications almost universally associated with it over the last half-century. In terms of the prevailing planning paradigm afflicting our cities, transect planning is the metaphorical equivalent of Duany and Talen pushing a Trojan horse inside the city gates. The more applied, the less tenable becomes the roadway classifications associated with the Euclidean zoning model. Beware of New Urbanists bearing gifts (i.e. methodology).

Coming Soon: 20 Must-Read Texts for Urban Planners (#1-10)!

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