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Architecture, Editorial, Mark David Major, Poor Richard, Urban Planning

More Poor Richard | Part 2

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More Poor Richard, Part 2
by Dr. Mark David Major, AICP, CNUA-A, The Outlaw Urbanist contributor

Courteous Reader,

I attempted to win your favor when I wrote my first Almanac for Architects and Planners, in the name of the public good and professional betterment, by way of earning some profit and a wife. I am gratified by your expression of encouragement for my tireless efforts dedicated to these aims. Alas, my circumstances still find me exceedingly poor and, unluckily, exceedingly wifeless. I am required to earn some profit to address both problems whilst now addressing a third, namely testing the proposition that insanity is “doing the same thing over and over again and expecting different results.” To satisfy my own particular brand of insanity, I have written more proverbs and whimsical sayings for your benefit and, hopefully, my own.

As before on The Outlaw Urbanist, I write this new Almanac in increments of ten, according to the dictates of Moses and the Almighty. However, once published as an Almanac for Architects and Planners, the proverbs and witticisms were gathered into a number equal to the days of the week, after being reliably informed that both seven and ten are sacred numbers. My desired requirement for a wife is sufficient motive to write this new Almanac in the hope it will find your favor and retweets as a means of demonstrating the usefulness of my continued efforts but also your charity to this sane Friend and poor Servant,

Richard

On Architecture

11.      Quality is presence of value and not absence of mistake.

12.       Profit is not an aesthetic choice. It’s a surrender.

13.       The act of design condemns all architects and planners to play God poorly, some more so than others.

14.       Good design enhances everything as surely as bad design defiles all.

15.       Architecture cannot save the world, only people can. This is why God sent a carpenter to be the ‘temple’.

16.       If architecture is a language, then a lot of architects are speaking in gibberish.

17.       Don’t judge a building by its façade. Every building is a story waiting to unfold for those willing to read it.

18.       Architecture always lies. Technological innovations only make the lies more transparent.

19.       Standardization is a blessing for quantity and a curse for quality in architecture.

20.      Architecture represents the outward appearance of things best when the architect understands the inward significance of those things.

Issue 3 of More Poor Richard for Architects and Planners cometh soon!

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Mark David Major, On Space, Phenomenology, Philosophy

On Space | A Sensory City of Theory

On Space | A Sensory City of Theory
by Dr. Mark David Major, AICP, CNU-A

Building transmutes the ideal into the selectively practical. Architecture asserts the hypothetical into creative sensation – of space, of light, of form, of transformation, of shapes frozen and in motion – and the city is born. The architect and planner re-assert the sensory into the theoretical, and the organism of the city is invigorated and renewed. The genesis of this association lies in the imagination of human intellect and the practicality of the human hand. It is not a mysterious alchemy, revealed to only a privileged few. It is a delightful synthesis of the human condition in which we are all are invited to participate. Space is both the medium and crucible of this association. Space surrounds and embeds the condition with meaning – within and extraneous – simultaneously internal and external to the object whilst also being native and foreign to its subject. It is future prologue and past epilogue of the same problem. In the city, this paradox is played on a grid of streets, geometrical in nature, intrinsically to the street itself and extrinsically in the relation of one to all others. This nature exists in a continuum, an axis drawn between the extremes of conserved chaos and radical order. Our errors in comprehending this ordered chaos, what Jane Jacobs once referred to as “organized complexity”, lies within the self-imposed boundaries of our own descriptions. We become limited in describing that which we wish to see instead of observing that which we wish to understand and, in doing so, we become trapped within the tired dogmas of an imagined past and a condemned future.

Dogma selects us. We do not choose the doctrine. This often (preferably) occurs independently of curiosity or wisdom and we youthfully mistake its favors as a proclamation that, indeed, we are the anointed one. It is a false image of oneself. Once a single step is taken along this path, we derive words inadequate to the object but sufficient for dogmatic pursuit in a hollow attempt to describe the nature of the city and make the understandable, the objective, into the incomprehensible, the subjective. We move backward and abnegate the hypothetical for the fanciful, the sensory for the material, and theoretical for the dogmatic. In doing so, we attempt to surround ourselves in meaning at the expense of the spatial and the urban. Theory suffocates in the vacuüm of this confrontation, embracing a void that fails the essential, instinctive construction of the city, in service to the super-ego of the individual. The urban loses balance. The real nature of the city hides behind a mask, a voice without a face, raising objections to the elementary urbane on shallow grounds of methodological peculiarities, historical reinterpretations, and narrow understandings of the relation between form and function. We must not fear to finally unmask the charlatan to unveil the bodily and mentally sensual to the masses, and declare the sensory city as a subject that is worthy of investigation and a thing demanding objective theory. In this way, the investigative and the theoretical form a synthesis to reveal the functional significance of space. Our words must have the precision and structure of whispers so that our theories carry meaning beyond the lone voice screaming to be heard above the crowd. We are the crowd, and it is our voices that matter.

On Space is a regular series of philosophical posts from The Outlaw Urbanist. These short articles (usually about 500 words) are in draft form so ideas, suggestions, thoughts and constructive criticism are welcome.

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Architecture, Editorial, Mark David Major, Poor Richard, Urban Planning

More Poor Richard | Part 1

More Poor Richard, Part 1
by Dr. Mark David Major, AICP, CNU-A, The Outlaw Urbanist contributor

Courteous Reader,

I attempted to win your favor when I wrote my first Almanac for Architects and Planners, in the name of the public good and professional betterment, by way of earning some profit and a wife. I am gratified by your expression of encouragement for my tireless efforts dedicated to these aims. Alas, my circumstances still find me exceedingly poor and, unluckily, exceedingly wifeless. I am required to earn some profit to address both problems whilst now addressing a third, namely testing the proposition that insanity is “doing the same thing over and over again and expecting different results.” To satisfy my own particular brand of insanity, I have written more proverbs and whimsical sayings for your benefit and, hopefully, my own.

As before on The Outlaw Urbanist, I write this new Almanac in increments of ten, according to the dictates of Moses and the Almighty. However, once published as an Almanac for Architects and Planners, the proverbs and witticisms were gathered into a number equal to the days of the week, after being reliably informed that both seven and ten are sacred numbers. My desired requirement for a wife is sufficient motive to write this new Almanac in the hope it will find your favor and retweets as a means of demonstrating the usefulness of my continued efforts but also your charity to this sane Friend and poor Servant,

Richard

On Cities

1.    As big as the road, so will the car be.

2.    When American urban designers and planners developed an allergic reaction to straight lines and right angles, our cities started sneezing phlegm all over the place.

3.    A ‘road to nowhere’ is much less important than all the ‘somewheres’ it will eventually lead.

4.    Suburban sprawl breeds idiotic driving behaviors.

5.    Interruptus en extremis isn’t any good for urban life… or your sex life.

6.     Pursuing (politically palatable) green spaces to the exclusion of (hard choice) urbanity is a self-defeating proposition. We have that, it’s called suburban sprawl.

7.     Observe the world around you before daring to create anew.

8.     Every city should have at least one Electric Avenue we gonna rock down and then take it higher… perhaps even two.

9.     The pattern of great cities is at once sensuous and logical; elegant with the past, restless in the present, and pregnant with future potential.

10.    Part is to whole as whole is to part in the city.

Issue 2 of More Poor Richard for Architects and Planners cometh soon!

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Mark David Major, On Space, Phenomenology, Philosophy

On Space | The City as Life Revealed

On Space | The City as Life Revealed
by Dr. Mark David Major, AICP, CNU-A

A city is a thing made of space. This space is infinite in its redundancies and strategic in its provision, full of potentials simultaneously realized and unrealized, required and unnecessary. It is a thing that both demands and defies analysis, of scholarly inquiry and sensory experience. A city is congruently an organism and a machine, a system of parts and part of a larger system joined in sustaining each other, related to itself and the world outside arbitrary boundaries drawn on a map. All of the city’s parts are strangely familiar yet also comforting in their distinctiveness from the Other. In the same manner, the whole pattern of cities obeys consistent rules, derived from existential truths, bound by gravity and our bipedal nature, always in the movement from here to there and back again. Yet no two cities are ever the same. We define similarities and differences to unveil their distinctive nature as urban objects. Meaning often derives from the mathematical artifice of geometrical assignment, daring to create and name our world in the image of the Geometer, in the same manner as we were created in Theirs. The power in the assigning is undeniable. On this basis, we parcel the fertile land by means of economy, far into the clouded past and the “undiscovered country” of the future, beyond the death of the present. From this emerges meaning and function, a city of light and sound, movement and life, each particular in their own way but also a simulacrum of all that has come before and will arrive again. There is power in the disorder of the city and a power of

On this basis, we parcel the fertile land by means of economy, far into the clouded past and the “undiscovered country” of the future, beyond the death of the present. From this emerges meaning and function, a city of light and sound, movement and life, each particular in their own way but also a simulacrum of all that has come before and will arrive again. There is power in the disorder of the city and a power of magnitude to be discovered in its orderly manifestation. Neither is greater than the other nor the sum of the parts. Within this (dis)order we live and function, day to day, year to year. We shape and are shaped by the space of the city, we utilize its strategic provisions for seeing, going, and being and its infinite redundancies to pause, understand, reflect, perhaps even decide. The light we shine on the city reflects upon ourselves and, in seeking to better understand the city, we learn to incrementally know ourselves. The city is both static in the moment and dynamic across the seconds. It can be understood all at once but its parts in isolation are – often so – the genesis of intellectual aberration. The organism grows but the machine still operates and we are befuddled. The city is at once process and product, the thing already made and in the process of becoming, the Father seeding the land, the Mother birthing the child, and the child being born, a Trinity upon itself. However, this is not a Mystery of faith but a failure of understanding. We must conjecture, we must believe, we must hypothesize, and we must dissect and reassemble if we hope to intervene with wisdom in the space of the city. Let us delve into Beingness of the city to better understand its nature with hope and expectation instead of fear and trepidation. It is life revealed.

On Space is a regular series of philosophical posts from The Outlaw Urbanist. These short articles (usually about 500 words) are in draft form so ideas, suggestions, thoughts and constructive criticism are welcome.

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Urban Patterns

Urban Patterns | Nicosia, Cyprus

“Leave them kids alone!
All in all it’s just another brick in the wall,
All in all you’re just another brick in the wall.”
— Another Brick in the Wall (Part 2), Pink Floyd

Urban Patterns | Nicosia, Cyprus
by Dr. Mark David Major, AICP, CNU-A

Nicosia is the largest city on the island of Cyprus. It is located near the center of the Mesaoria plain on the banks of the River Pedieos. It is the capital and seat of government of the Republic of Cyprus. As such, it is the farthest southeast of all European Union member states’ capitals. It has been the capital of Cyprus since the 10th century. The Greek Cypriot and Turkish Cypriot communities of Nicosia segregated into the south and north of the city respectively in 1963 following the outbreak of violence. This division became a militarized border between the Republic of Cyprus and Northern Cyprus after Turkey invaded the island in 1974, occupying the north of the island including northern Nicosia.

Street walled off from access in Nicosia, Cyprus.

Today, the northern part of the city is the capital of Northern Cyprus, a state recognized only by Turkey, which is considered occupied Cypriot territory by the international community. Nicosia has been in continuous habitation since the beginning of the Bronze Age (i.e. over 4,5000 years) when the first inhabitants settled in the area. Nicosia later became a city-state known as Ledra or Ledrae, one of the twelve kingdoms of ancient Cyprus built by Achaeans after the end of the Trojan War. Remains of old Ledra today can be found in the Ayia Paraskevi hill in the southeast of the city (Source: Wikipedia).

Satellite view from 2.5 km of Nicosia, Cyprus (Source: Google Earth).

Nicosia, Cyprus has an interesting urban pattern for a variety of reasons. First, after the fall of the Berlin Wall, it is the only remaining divided city in the world (the demarcation is the “Green Line”, evident at the center of the above satellite image from 8,000 feet) between the Turkish north and the Greek south. Second, the city is characterized by a deformed grid layout. However, within the walls of the old city, the pattern of streets in the Turkish north is more characteristic of Middle Eastern cities where smaller block sizes and narrow street widths serve to complicate continuous lines of sights. In the Greek south, street widths are wider, blocks are larger, and the layout is more geometric in nature. This indicates a clear distinction in the social construction of space by two cultures (predominantly Turkish/Islāmic in the north and Greek/Orthodox Christian in the south). However, as interesting as this is, it is not the most remarkable thing about Nicosia. When you zoom out to encompass more of the surrounding urban context outside the walls of the old city (see header image from 15,000 feet), the deformed grid of the city is everywhere more characterized (in relative terms by comparison to the street pattern within the old city walls) by wider and straighter streets, larger blocks, and a more geometrical layout as a whole; again, more so to the south than the north. This ably demonstrates the necessity of urban functionality in overcoming the social imprint of space in order to better mediate the relationship between city center and the ever-expanding edges of that city.

(Updated: April 19, 2017)

Urban Patterns is a series of posts from The Outlaw Urbanist presenting interesting examples of terrestrial patterns shaped by human intervention in the urban landscape over time.

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