On Space | The Emergent City

On Space | The Emergent City
by Dr. Mark David Major, AICP, CNU-A

Urban space possesses both geometric regularity and probabilistic structure. This embeds the space of the city with variables of formal determinism and informal post-destination. The word ‘city’ is insufficient to express its true nature, requiring both prefix and suffix to signify its didactic beingness in the world as a thing. It is heart and soul united in one body, an urban Trinity possessive of the past, present and future. It is a holy act when we build a city. As a living organism, the city does not require legal interpretation but scientific diagnosis. It needs to be understood in terms of the probabilistic object instead of as a container of dogmatic theory. Only then can we forecast and intervene in the object with confidence and purpose. It needs to be studied, more so understood, even engendering an empathic response from the observer of the observed. When we say a city has a spatial layout, we mean it is composed of physical certainties such as buildings and blocks in a plan, and configured of spatial probabilities embedded within the plan of the city (its streets, its square, its parks). One tends to be imposed whilst the other tends to emerge. We can describe these physical certitudes and spatial probabilities in Cartesian dimensions – length, width, and breadth – and even across time. We can also describe them in configurational dimensions: depth, connectedness, and control. What emerges is the ubiquity of centrality and linearity in the urban object, the nature of being in closeness to the other and being is movement towards to/away from the Other. It is everywhere at once, exhibited in the past of the city and speeding the urban object towards its future even as constantly manifested in the present tense: been, being and becoming always.

What is also revealed in this emergence is the importance of magnitude, a multitude of scales at which the space of the city is used, read, and interpreted by all in movement and occupation of the urban object. Size is seemingly an easy thing to understand, having a quantifiable Cartesian measure. However, it is poorly understood, or worse purposefully ignored. The size of thing matters in the blending of streets and blocks, in either compacting or elongating the structure across space and time. It is a key attribute of the city that embeds the object with certain significations, of time or money, of interaction or seclusion, of the wants of Self or the collective being of the whole. We are revealed in the urban object, our wants and desires, our fears and trepidations, our dogmas and ignorance, of our wondrous beauty and horrific ugliness. The nature of the city is human nature. We build, therefore we were. We arrange, therefore are. We intervene, therefore we will be. The tapestry that emerges denotes of the fabric of human life, characterized by lines of communication, meshes of networks, and patches of community. Only then will we discover that we all dwell in the same neighborhood, we are irrevocably connected, and conflict only emerges from the denial of these basic tenets of existence in the city. We are the tenants and we are the landowners. The portrait painted tells the same story: the city and we are One.

On Space is a regular series of philosophical posts from The Outlaw Urbanist. These short articles (usually about 500 words) are in draft form so ideas, suggestions, thoughts and constructive criticism are welcome.

Share the knowledge!
Share

More Poor Richard | Part 5

More Poor Richard, Part 5
by Dr. Mark David Major, AICP, CNU-A The Outlaw Urbanist contributor

Courteous Reader,

I attempted to win your favor when I wrote my first Almanac for Architects and Planners, in the name of the public good and professional betterment, by way of earning some profit and a wife. I am gratified by your expression of encouragement for my tireless efforts dedicated to these aims. Alas, my circumstances still find me exceedingly poor and, unluckily, exceedingly wifeless. I am required to earn some profit to address both problems whilst now addressing a third, namely testing the proposition that insanity is “doing the same thing over and over again and expecting different results.” To satisfy my own particular brand of insanity, I have written more proverbs and whimsical sayings for your benefit and, hopefully, my own.

As before on The Outlaw Urbanist, I write this new Almanac in increments of ten, according to the dictates of Moses and the Almighty. However, once published as an Almanac for Architects and Planners, the proverbs and witticisms were gathered into a number equal to the days of the week, after being reliably informed that both seven and ten are sacred numbers. My desired requirement for a wife is sufficient motive to write this new Almanac in the hope it will find your favor and retweets as a means of demonstrating the usefulness of my continued efforts but also your charity to this sane Friend and poor Servant,

Richard

On Cities, Utopia and Superheroes

41.       The greatest cities are probabilistic happenings that have already occurred and may again given the right conditions.

42.       A city can no more relate to only itself than it can only relate to the outside world. Neither inside nor outside exist in isolation.

43.       We need never fear Utopia as long as we are asking the right questions.

44.      Utopias are absurdly impractical flights of fancy, which are often the source for the best kind of dreams.

45.      Superheroes live in cities. Supervillains live in gated lairs. Do we want a nation of superheroes or supervillains?

46.      Superman would never find a phone booth in a suburban office park.

47.      Even Spiderman needs a car to get around suburban sprawl. No tall buildings to swing from, you see…

48.     Too many cities are built to be sanely mediocre when they should be designed to be “insanely great”*. (*Steve Jobs)

49.     Every city needs jazz hands.

50.     Every city should have that “boom boom pow”.

Issue 6 of More Poor Richard for Architects and Planners cometh soon!

Share the knowledge!
Share

Urban Patterns | Disneyland | Anaheim | California USA

“Jack be nimble, Jack be quick. Ohhhh.
Take a ride on the West Coast kick. Ohhhh.
Holiday roooooaaaad, ohhhhh.”
— Holiday Road, Lindsey Buckingham

Urban Patterns | Disneyland | Anaheim | California USA
by Dr. Mark David Major, AICP, CNU-A

Purportedly the happiest place on Earth, Disneyland is located in Anaheim, California about 30 miles from Downtown Los Angeles. Opened in 1955, Disneyland is the only theme park designed and built under the direct supervision of Walt Disney. Walt Disney came up with the concept after visiting various amusement parks with his daughters in the 1930s and 1940s. He initially envisioned building a tourist attraction adjacent to his studios in Burbank to entertain fans who wished to visit; however, he soon realized that the proposed site was too small. After hiring a consultant to help him determine an appropriate site for his project, Disney bought a 160-acre (65 ha) site near Anaheim in 1953. Construction began in 1954 and the park was unveiled during a special televised press event on the ABC Television Network on July 17, 1955 (Source: Wikipedia).

Satellite view from 2.5 km of Disneyland in Anaheim, California in 2013 (Source: Google Earth).

It is not a surprise to discover acres of surface parking servicing the park, which also represents the hottest place in the urbanized areas of Southern California (literally, not metaphorically). The pink ramparts of the Disney castle are visible in the center of the above image. The overall shape of the original park was circular (discounting later expansions) with the famous Disney Main Street running from the main gate in the south towards the north, defining a ceremonial axis that terminates on the castle. Pirate’s Lair on Tom Sawyer Island (see Mark Twain’s The Adventures of Tom Sawyer) is located to the northwest of the park. Tomorrowland is located to the eastern edge of the park (though I suppose nowadays it could be more easily called Todayland). The highway adjacent to Disneyland at its eastern edge is Interstate 5 aka Santa Ana Freeway. To get there from Santa Monica: take Olympic to I-10, then to I-5 south but avoid the 4-0-5 at all costs, like fer sure.

(Updated: June 25, 2017)

Urban Patterns is a series of posts from The Outlaw Urbanist presenting interesting examples of terrestrial patterns shaped by human intervention in the urban landscape over time.

Share the knowledge!
Share

More Poor Richard | Part 4

More Poor Richard, Part 4
by Dr. Mark David Major, AICP, CNU-A, The Outlaw Urbanist contributor

Courteous Reader,

I attempted to win your favor when I wrote my first Almanac for Architects and Planners, in the name of the public good and professional betterment, by way of earning some profit and a wife. I am gratified by your expression of encouragement for my tireless efforts dedicated to these aims. Alas, my circumstances still find me exceedingly poor and, unluckily, exceedingly wifeless. I am required to earn some profit to address both problems whilst now addressing a third, namely testing the proposition that insanity is “doing the same thing over and over again and expecting different results.” To satisfy my own particular brand of insanity, I have written more proverbs and whimsical sayings for your benefit and, hopefully, my own.

As before on The Outlaw Urbanist, I write this new Almanac in increments of ten, according to the dictates of Moses and the Almighty. However, once published as an Almanac for Architects and Planners, the proverbs and witticisms were gathered into a number equal to the days of the week, after being reliably informed that both seven and ten are sacred numbers. My desired requirement for a wife is sufficient motive to write this new Almanac in the hope it will find your favor and retweets as a means of demonstrating the usefulness of my continued efforts but also your charity to this sane Friend and poor Servant,

Richard

On Architecture

31.       Standardization is a blessing for quantity and a curse for quality in architecture.

32.       Poor is the architect whose responsibility ends when the drawing is complete.

33.       Modernism is the Dr. Frankenstein, Post-Modernism is the Monster, and Deconstructivism is the “Abby Normal” (witty but, ultimately, derivative of the real Monster) of 20th century Architecture.

34.       Architecture in the absence of art is construction. Architecture in the absence of science is art.

35.       The three-dimensional context for all buildings is the playful absence and presence of light.

36.       Building may be in the details but architecture is in the questions.

37.       Beauty made lie in the eyes of the beholder but some eyes beholden better than others whilst some are better liars.

38.       Architecture should always be naked.

39.       Refining in architecture is about ‘re-finding’ the essential purity of the thing momentarily lost to the initial excesses of the architect.

40.       Building is never ‘more’ and always a bore. Architecture is to adore.

Issue 5 of More Poor Richard for Architects and Planners cometh soon!

Share the knowledge!
Share

On Space | Antecedens est Precedent

On Space | Antecedens est Precedent
by Dr. Mark David Major, AICP, CNU-A

The premise is precedent. Space is not a neutral field against which the societal is randomly played out. Space is more than a mere reflection of independent and discrete socio-economic and cultural variables. It is a living organism, constructed piece-by-piece as a machine for living, seeing, and being that has achieved its own particular form of consciousness, a spark of life more than the sum of its parts and more than the parts contributing to the Corpus Spatium. For too long, knowledge of space has been characterized by apathy, obscurely a superficial reaction against the heroic Modernists but really a deep, substantive fear of constructing knowledge and understanding, of releasing inhibitions that continue to reward failure, keeping food on the table as opposed to providing nutrition for the soul. The hypocrite’s feast is the city’s famine. Knowledge has been stagnant, without evolution, to the point where the vocal heretics now call for revolution. Space is both dependent and independent, a variable mixture of cause, effect, and react that demands our evaluation and our respect. Without so, we diminish the most valuable commodity the city has to offer, in exchange for our empathy it can provide rewards beyond imagining, of happenstance and serendipity, of casual encounter, of formal beginnings, and a lifetime of companions to share the journey with us.

When we view the space of the city as a neutral variable, we devalue the beingness of the city as an object of analysis and curiosity. Our knowledge becomes tainted with a paralysis that is both confiding and liberating, imprisoned within dogma and freed of moral or ethical consequences. The game is played with the chess pieces but the board sets the parameters of the rules. Our cities thus have become lawless, without rules catering to the urban object but in service to the greed of the self. When we view the space of the city as isotropic, we artificially impose uniformity where it does not manifestly exist. We attempt to impose rather than derive meaning from city places. It is a fallacy. We inflate the importance of individual action and deflate the status of collective significance without really comprehending either whilst the kinetic and potential energy of urban space becomes lost in a primordial soup of fashionable theory. Actuality and potentially are ignored at its peril, and we become lost in a uniform monstrosity of development patterns that ‘follow the rules’ but want for a logical existence. When we view the space of the city as mere reflection we judge through a mirror darkly. We assign a value lacking any quantity. We concede quality without calculation. The city more than reflects, it embodies. It consumes and births, it is nurture and nature surely melted, an elegant synthesis of meaning where past and future are simultaneously read and written into a spatial harmony. The space of the city is a systematic thing and we are the blood coursing through the veins of its streets, both sustaining of and existing at its heart. There is a logic to its arrangement and an organization to its reason for being. Space is alive and lives within and without in the city. Antecedens est, est exemplum.

On Space is a regular series of philosophical posts from The Outlaw Urbanist. These short articles (usually about 500 words) are in draft form so ideas, suggestions, thoughts and constructive criticism are welcome.

Share the knowledge!
Share