Tag Archives: St Louis

Urban Patterns

Urban Patterns | St Louis, Missouri USA

“I will be your tootsie wootsie,
If you will meet in St. Louis, Louis,
Meet me at the fair.”
— Meet Me in St. Louis, Judy Garland

Urban Patterns | St. Louis, Missouri USA
by Dr. Mark David Major, AICP, CNU-A

St. Louis is an independent city (meaning it is not part of St. Louis County) and major American port in the state of Missouri, built along the western bank of the Mississippi River, on the border with Illinois. The city had an estimated population of 311,404 in 2016. It is the cultural and economic center of the Greater St. Louis area (metropolitan population of 2.9 million people), making it the largest metropolitan area in Missouri and the 19th-largest in the United States (Source: Wikipedia).

map, St. Louis, 1780, archives, Wikipedia
A map of St. Louis in 1780. From the archives in Seville, Spain (Source: Wikipedia).

Prior to European settlement, the area was a major regional center of Native American Mississippian culture. The city of St. Louis was founded in 1764 by French fur traders Pierre Laclède and Auguste Chouteau, and named after Louis IX of France. In 1764, following France’s defeat in the Seven Years’ War, the area was ceded to Spain and retroceded back to France in 1800. Nominally, the city operated as an independent city after 1764 until 1803, when the United States acquired the territory as part of the Louisiana Purchase. During the 19th century, St. Louis developed as a major port on the Mississippi River. In the 1870 Census, St. Louis was ranked as the 4th-largest city in the United States. It separated from St. Louis County in 1877, becoming an independent city and thus, limiting its own political boundaries. In 1904, it hosted the World’s Fair/Louisiana Purchase Exposition and the Summer Olympics (Source: Wikipedia).

Satellite view, 15 km, St. Louis, Missouri, USA, Google Earth
Satellite view from 15 km of St. Louis, Missouri in the USA (Source: Google Earth).

The St. Louis urban pattern is composed of a series of small-scale regular grids of varying size, which are offset in relation to each other. This originally occurred due to adapting the regular grid layout to the topography of the Mississippi River adjacent to the riverfront at this location to ensure that most valuable lots were rectangular in shape for the purposes of buildability. Like other cities in the world composed of offset, regular grids (such as Athens, Greece and New Orleans, Louisiana), this – in combination with the distribution of land from afar by the French/Spanish crowns during the Colonial period – had a ‘cascade effect’ in shaping the layout and orientation of future parcels of small-scale regular grids in the city. Later, railroad lines running east-west introduced a very strong north-south divide in the city, which persists to this day. Oddly, this divide (historically reflecting a post-war racial divide in the city, e.g. whites in south St. Louis and blacks in north St. Louis) has been reinforced by Federal, state, and city planning efforts such as the Jefferson National Expansion Memorial (i.e. Gateway Arch) grounds on the riverfront in downtown St. Louis.

St Louis, Warehouse District, New Orleans, French Quarter, 1930s, Gateway Arch
St. Louis’ Warehouse District – same size as two New Orleans’ French Quarters – demolished during the 1930s to (eventually) make way for the Jefferson National Expansion Memorial grounds and Gateway Arch though this riverfront land remained vacant for over two decades.

Urban Patterns is a series of posts from The Outlaw Urbanist presenting interesting examples of terrestrial patterns shaped by human intervention in the urban landscape over time.

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Architecture, Education, Ethics, Housing, Mark David Major, Philosophy, Professional, Science, Space Syntax, Urban Patterns, Urban Planning

NOW AVAILABLE | A Failure of Modernism | ‘Excavating’ Pruitt-Igoe

A Failure of Modernism: ‘Excavating’ Pruitt-Igoe investigates the Pruitt-Igoe Public Housing Complex in St. Louis, Missouri USA. A large literature implicates several factors in Pruitt-Igoe’s decline, which public authorities famously demolished in 1972. Often, this literature cites design and planning as contributory factors without specifying how or why in precise terms. Building on archival records and previous research, we analyze the ‘spatial archaeology’ of Pruitt-Igoe using space syntax. Our purpose is to better understand how design and planning contributed to its social malaise. It concludes: 1) provision of space (i.e. quantity) became a liability as declining occupancy generated a ‘broken interface’ between adults and children; and, 2) the pilotis of the residential towers mediated formal access and spatial distribution in a layout characterized by ‘intelligible dysfunction,’ which facilitated opportunity and escape for criminal activities. Both fed the perception and reality of social malaise at Pruitt-Igoe (2.5 hour course). Click here to purchase this course ($17.49).

Key concepts:  design, Modernism, planning, public policy, and social housing.

Includes a two-hour video presentation and PDFs of the course supplementary material and slide handout.

Please note there may be a delay for a couple of hours before you are able to access the course because we have to confirm receipt of payment for each order before completing the purchase.

About the Instructor

mark_v3Dr. Mark David Major, AICP, CNU-A is an architect and planner with extensive experience in urban planning and design, business management and real estate development, and academia. He is a Professor of Urban Design at the Savannah College of Art and Design. Mark has been a visiting lecturer at the University of Florida, Georgia Tech, Architectural Association in London, the University of São Paulo in Brazil, and Politecnico di Milano in Italy.

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Architecture, Essay, Photography, Urban Planning

Photo Essay | Central West End in Saint Louis

Large swathes of St. Louis that are downright depressing from the point of view of vibrant urbanism. By now, most everyone has heard about the racial problems in Ferguson, one of the earliest examples of post-war, white flight suburban sprawl in the city now populated by economically vulnerable populations; most likely heralding the start of the ‘ghettoization’ period for sprawl’s reputation in the United States. However, Federal, State and local redevelopment, planning, and housing policy has relentlessly decimated once-vibrant North St. Louis and East St. Louis, Illinois since World War II to the point where one might mistakenly think these areas were long-ago victims of a Soviet nuclear strike (no, these are self-inflicted wounds). Unfortunately, the same scenario is playing out for large areas of South St. Louis as well over the last twenty years.

However, there are still some pockets of vibrant urbanism on display in St. Louis, which gives the city something to build upon if leaders, professionals and others will only pause to look at those places as models for a sustainable future. One of these vibrant neighborhoods is the Central West End, which stretches from Midtown’s western edge to Union Boulevard, bordering on Forest Park, north to Delmar Blvd. and south to Clayton Ave. The Central West End includes an array of cultural institutions including the Cathedral Basilica of St. Louis associated with St. Louis University. The commercial district is located mainly along Euclid Avenue and a lot of the urban activity in the area is supported by faculty, medical staff, and students of Washington University and St. Louis University. Playwright Tennessee Williams, beat writer William S. Burroughs, and poet T.S. Elliot grew up/lived in the neighborhood. The Central West End is often mistaken for the setting of the classic 1944 film Meet Me in St. Louis starring Judy Garland.

Central West End in St. Louis from 1000m (Source: Google Earth).
Detail of sidewalk cafe in Maryland Plaza at the corner of North Euclid Ave. and Maryland Ave. in the Central West End (Photograph: Mark David Major).
Maryland Plaza at the corner of North Euclid Ave. and Maryland Ave. in the Central West End (Photograph: Mark David Major).
Active sidewalks along Euclid Ave. in the Central West End (Photograph: Mark David Major).
Sidewalk cafes about an hour before lunchtime during the weekday along Maryland Ave. in the Central West End (Photograph: Mark David Major).
Active sidewalks along North Euclid Ave. in the Central West End (Photograph: Mark David Major).
Interesting (aka bizarre) use of bathroom tiles on exterior facade of historic commercial building along North. Euclid Ave. in the Central West End (Photograph: Mark David Major).
Quiet residential streets as you turn the corner off Euclid Ave. in the Central West End (Photograph: Mark David Major).

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Architecture, Essay, Photography, Urban Planning

PHOTO ESSAY | The Hill in Saint Louis

Large swathes of St. Louis are downright depressing from the point of view of vibrant urbanism. By now, most everyone has heard about the racial problems in Ferguson, one of the earliest examples of post-war, white flight suburban sprawl in the city now populated by economically vulnerable populations; most likely heralding the beginning of the ‘ghettoization period’ for sprawl’s reputation in the United States. However, Federal, State and local redevelopment, planning, and housing policy has relentlessly decimated once-vibrant North St. Louis and East St. Louis, Illinois since World War II to the point where one might mistakenly think these areas were long-ago victims of a Soviet nuclear strike (no, these are self-inflicted wounds). Unfortunately, the same scenario has been playing out for large areas of South St. Louis over the last twenty years as well.

Fire hydrants flagged with the colors of the Italian flag on The Hill in St. Louis (Source: Wikipedia).

However, there are still some pockets of vibrant urbanism on display in St. Louis, which gives the city something to build upon if its leaders, professionals and citizens will only pause to look at those places as models for a sustainable future. One of these vibrant neighborhoods is The Hill located on the highest point in the city (formerly known as the St. Louis Hill) south of Forest Park. The official boundaries of The Hill are Manchester Avenue to the north, Columbia and Southwest Avenue to the South, South Kingshighway to the east, and Hampton Avenue to the west. For decades, the majority of residents on The Hill have been Italian Americans so the area is known for its many Italian businesses, restaurants (yes, the food is unbelievably good), and notable residents. This includes Yogi Berra, a Hall of Fame member of the New York Yankees during their 50s baseball dynasty known for his ‘Yogi-isms’ such as “It’s déjà vu all over again”, and Joe Garagiola, a Hall of Fame baseball broadcaster and rookie catcher for the  St. Louis Cardinals World Series championship team in 1946.

The Hill neighborhood, St. Louis satellite view from 1000m (Source: Google Earth).
Daggett Ave. and Macklind Ave. with Gioia’s Deli on the corner across from Berra Park (Photograph: Mark David Major).
Looking up Edwards St. to the formerly named St. Louis Hill on The Hill in St. Louis (Photograph: Mark David Major).
Eovaldi’s Deli (with historical sign for “Leo Oldani MFGRS Italian Salami” still on the facade) on the corner of Bischoff Ave. and Edwards St. across the street from Mama’s on the Hill Restaurant (Photograph: Mark David Major).
Rows of Midwestern brick vernacular homes on small lots along Wilson Ave. on The Hill in St. Louis (Photograph: Mark David Major).
Midwestern vernacular homes on small lots along Bischoff Ave. n The Hill in St. Louis (Photograph: Mark David Major).

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