Part III of the Architecture and Film course series, “The Best of Both Worlds”, reviews the seductive correspondence between cinema and architecture. Over the last four decades, the film-architecture analogy and startling technological advances, mostly deriving from computer science, have blurred the distinction between cinema and architecture. Collectively, this tends to obscure the most important aspect, which is architecture’s impact on the dual aims of cinema, e.g. narrative and technology. 
Part III reviews the cinematic use of architectural precedents and typologies in crafting distinctive film-grammars in support of narrative and characterization for extended narratives. The “Architecture and Film” course series more closely examines the frequent role of the built environment in creatively reinforcing or subverting expectations of the audience about cinematic narratives (2.0 hour course). Click here to purchase this course ($14.99)
Key concepts: extended narratives, science fiction, fantasy, abnormal scale, cultural appropriation, and historical juxtaposition.
Includes a two-hour video presentation and PDFs of the course supplementary material and slide handout.
Part 3 Film and Television Topics
Star Trek, Harry Potter, Blade Runner, The Lord of the Rings, Citizen Kane, Batman, Doctor Who, Inception, A Nightmare on Elm Street, Spellbound, Doctor Strange, 2001: A Space Odyssey, Interstellar, Star Wars, Logan’s Run, Alien, Dune, Battlestar Galactica, Zoolander, The Martian Chronicles, Invasion of the Body Snatchers, District 9
Please note there may be a delay for a couple of hours before you are able to access the course because we have to confirm receipt of payment for each order before completing the purchase.
About the Instructor
Dr. Mark David Major, AICP, CNU-A is an architect and planner with extensive experience in urban planning and design, business management and real estate development, and academia. He is a Professor of Urban Design at the Savannah College of Art and Design. Mark has been a visiting lecturer at the University of Florida, Georgia Tech, Architectural Association in London, the University of São Paulo in Brazil, and Politecnico di Milano in Italy.
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The “Architecture and Film” course series more closely examines the frequent role of the built environment in creatively reinforcing or subverting expectations of the audience about cinematic narratives. Click 
Part I reviews the conceptual, historical and technological correspondence between cinema and architecture. Parts II and III reviews filmmakers’ use of architectural typologies of space and form to craft distinctive film-grammars in service to cinematic narratives. Key concepts: film, narrative, artificial intelligence, CGI, technology, simulation, scale, historical precedent, architectural typology, and hyper-reality. Available soon to separately purchase as 2.0 hour courses ($14.99 each) or a 6.0 hour course series package ($39.99).
By understanding these concepts, we can better understand how “bedrock” urban attributes (such as block size and dwelling entrances) and common growth trends (such as strip malls and leapfrog development) play a role in the spatial logic of American cities. The objective of this course is to better understand the spatial implications of design decisions when intervening in the American city.